mamma lid

Great interview here with Lidia Yuknavitch, Queen of All Media.

I think I came of age as a writer when all that NEA funding was hacked to pieces—writers and artists such as Karen Finley and Andres Serrano and books like Doug Rice’s were being attacked and de-funded in ways which truly marked me.

Closer to home in Oregon I noticed a dismal repetition of awards and legitimacy landing on the heads of a very short list of writers whose work tends in the direction of … warm and cozy and comfortable. With very few exceptions.

The crossroads for writers like me looks like this: wait around to be accepted by authorizing systems and lofty literary communities that have little to no chance of claiming you as one of their own (thing of darkness), or, do what my favorite artists have done—the ones who have kept me alive all these years—invent, innovate, improvise, take action.

Because in the end making art and jamming the door open for other people to make art is more important to me than pretty much any form of culturally authorized party hat I can imagine.

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One response to “mamma lid

  • Carl

    I suspect every artist who was ever worth a danm said the same thing about art. Let the same people who collect the awards go on collecting them. Your job is to make art.

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